Great new take on One Flew Over the Cuckoos Nest at the Old Vic

This excellent production of the 1960s classic One Flew Over the Cuckoos Nest grips from the start. Clint Dyer's direction brings a new twist to the story, with a predominantly black cast and explosive energy throughout. The play starts with an allusion to Congo Square, New Orleans - a place of meeting for trade and expression for enslaved African Americans. A place that marked histories of resistance and culture in America. In the play, this very much comes out in the character of native American, Chief Bromden (Arthur Roan), whose past is subordinated in the disciplinarian atmosphere of the psychiatric hospital. He hides behind a pretence of deaf and dumbness, as a defence mechanism. It is only the anarchic antics of Randle P McMurphy (Aaron Pierre) that bring out the truth and Bromden's story of indigenous struggle. Pierre gives a virtuoso performance in the role made famous by Jack Nicholson in the 1975 film of Ken Kesey's book. Always on the edge, provoking and challenging what he sees as absurd rules. No utterance, though, of the classic line from the film : "medication time." Pierre creates a bustling, energetic, aggressive character but also manages to bring out an underlying vulnerability. This anarchic intent of McMurphy comes up against the authoritarian rule of Nurse Ratched (Olivia Williams). The two vying for control of the group. The power struggle is fascinating as it unfolds. There is, though, much humour to lighten the load in a play, that finally ends in tragedy. Strong tones of misogyny flow throughout the play, with for instance McMurphy's declaration that he "fights and fucks." The other characters are variously "victims" of overbearing mothers and neglectful wives. It is important, though, to remember, that Kesey's book came out in 1962 - a different time. Misogyny is ofcourse alive and well today. Dyer's direction keeps the whole play flowing with a real energy. The clever setting in the round means that the audience almost feels part of the play - patients in the hospital. Ben Stones minimalist set with the white and green tiled floor and perimeter marked with radiators brings that sense of constraint yet potential power to break out. An excellent adaptation of Kelsey's book, with power and control amid stifling group dynamics to the fore. Well worth seeing. Runs till 23 May

Review of You want what we've got - Big Tech v Big Journalism by Jason Whittaker

Published by Reaction Books £16.99 Jason Whittaker has produced a comprehensive and intriguing examination of the media world over recent decades. He plots how legacy (traditional) media has gone from a position of dominance and power in the early 1990s -with high advertising revenues bringing in big profits - to one of fading influence today. Whittaker outlines how the growth of Big Tech companies, with the technology but not the editorial content, led to the eclipse of much of the legacy media . So the scene is set of Big Tech companies rolling forward, swallowing up the content and ads revenue in a brave new world of disinformation. Whittaker highlights the period after 9/11 as being crucial for legacy media, when it effectively lost credibility and so the trust of people. The time of the dodgy dossier and failure to find weapons of mass destruction in Iraq are described as the time when media failed to hold government to account and so became its propaganda wing. This ofcourse opened the door to claims of fake news. So Whittaker profoundly reflects that:. "Legacy media had poured fuel over the pyre of public trust and credibility. All it required now was an unscrupulous individual with a talent for social media to light the match." Enter Donald Trump/Elon Musk. He then goes onto unravel the free for all that developed. So where legacy media had concepts like balance and objectivity, as well as gatekeepers, the new media saw content as anything that attracts clicks. This would be determined by algorithms, thereby manipulating people's choices and opinions. By 2016, 50% of US adults turned to social media, rather than legacy for news. The evolution of the likes of Meta, Google, Twitter (later X) and Microsoft all come in for scrutiny. The final stages of the book enter the debate on AI. Interestingly, Whittaker views the technology as a possible aid to journalism if used and controlled properly. The need for gatekeepers is emphasised. What is most interesting about this book is that it points the way to a future for journalism.The world of fake news, where increasingly people don't believe what they are fed, will lead to a demand for authenticity. If media can regain trust, in some way, then it can provide that authentic voice. So some hope for the future. Criticism of this book would centre on its density. It is not an easy read, particularly getting bogged down in sections such as the one on AI. So whilst the thesis is a fascinating one, some of the execution could have done with a lighter touch. All the same, an interesting read, that raises many profound questions as to where the world of media and information goes from here.

Review of Bonfire of the insanities by John Crace

Published Guardian Faber £16.99 This latest hilarious collection of Guardian political sketch writer John Crace's columns covers the dying days of Rishi Sunak's Tory government through the first year of Keir Starmer's Labour. Crace really has to be one of the best satirical sketch writers around, shooting down the pomposity and incompetence of the political class in equal measure. The day to day terrain of the political sphere is laid bear, as the politicians stumble from crisis to mishap. He takes no prisoners, especially when it comes to the ineptitude of Sunak and his assorted ministers. The nick names given to different ministers seem particularly apt. So, James Cleverly becomes Jimmy Dimly.When assessing Cleverly's credentials as a contender in the Tory Party leadership contest, following the election defeat, Crace questions "what has Jimmy D ever done in government?" The answer:"Very little, apart from turning left into first class, when boarding aeroplanes on government business." In the same contest, there is "Honest Bob" (Robert Jenrick). "If the answer is Robert Jenrick then odds are you've been asking the wrong question," writes Crace. Crace heralds the return of "Lord Big Dave" (David Cameron) to government as Foreign Secretary. Summarised as: "Sunak searches the gene puddle of Tory talent..and finds David Cameron." Crace scythes through one calamity after another, from the flights to Rwanda to the "we'll leave them on the beaches" episode that saw the hapless Sunak depart the D-day commemoration early. Crace has much fun at the expense of Tory convert and later Reform defector Lee Anderson, asserting that he'd said:" Sadiq Khan had been taken over by Islamists and London was now being run by terrorists." Then as Anderson doubles down on his claims, Tory MPs get queasy."And while there are plenty of Tories willing to attest that they had personally seen the London mayor take part in the 7 October terrorist attack, there were still a few who thought that maybe - just maybe- Anderson had gone too far this time." And so the Tory trauma goes on, with Chancellor Jeremy Hunt described as "someone unthreatening, if a bit useless." There is "literally nothing to him." Priti Patel "not just dim but dangerous with it." And finally, Kemikazi ((Kemi Badenoch), "the most divisive woman in politics." Someone "who hates the electorate almost as much as she hates her colleagues.And herself. She could start a fight with her reflection " There is a longing to see the back of Sunak and co. The election becomes a formality. Crace does betray a hope in the new Labour Government. He does seem to have swallowed some of the propaganda about the return of adults to government etc. One wonders if he was not something of a Keir Starmer fan in the run up to the election and early days of government. He probably, together with most at the Guardian, was not a Jeremy Corbyn fan. The first year of the Starmer government is chronicled with some hope and sympathy but this eventually reaches the same level of derision as was deployed with the Tories. So the Labour leading lights come under scrutiny. Starmer's boring demeanour and Angel of Death, Rachel Reeves come in for increasing ridicule. Health secretary Wes Streeting is described as: "one of those who always knows he's loved by everyone. By himself more than anyone." On the subject of Reform, Crace is beginning to turn his critical fire on the party as they become a looming political threat. Nigel Farage (Nige) is regularly described in charlatan terms, whilst no opportunity is wasted to link deputy Richard Tice to sun beds and fake tans. Described as:" a man you might find on the shopping channel, trying to flog you an air fryer, that would fall apart within a week." This book provides a highly entertaining romp through the period from October 2023 to last July. The problem ofcourse is that these things rapidly date. So reading the accounts of the dying days of Rishi Sunak in 2026 does seem a bit distant. And many of the calamities of Starmer are yet to come. Reading the column each week in it's first manifestation ofcourse does not suffer such an ageing process but it does when a number are brought together later in a chronology. All that said this is a great read from one of the funniest, wittiest, political writers around. The take downs can be excruciating, leaving the reader in fits but also wondering how did he get away with saying that. Great read, especially in these dark days.

West Ham, Spurs or someone else to face the drop from the Premier League come May

West Ham, Spurs or someone else to face the drop from the Premier League come May So, as the Premier League season enters the final stretch, the prospect of Championship football looms for either West Ham or Spurs. Both local clubs are deep in the relegation zone. The other teams involved, seeking to avoid the drop are Nottingham Forest and Wolves (Burnley and Wolves can be taken, as gone). It will come as a rude shock to West Ham or Spurs supporters to be hosting Championship football in their vast stadiums should either drop out of the top league. So how has this sorry situation come to pass? Well, both teams have been on the managerial roundabout for the past two seasons. The biggest mistake the owners of West Ham have made was getting rid of manager David Moyes in the summer of 2024. The previous season the club won the Europa Conference League. In Moyes final season, they finished ninth and got to the quarter finals of the Europa League. Moyes is now managing Everton, who sit in mid table, pushing upwards. West Ham appointed former Wolves manager, Julen Lopetegui, who never looked happy in the role. He lasted half a season. Then, came former Chelsea and Brighton coach, Graham Potter. He seemed to steady things, ensuring Premiership safety but then things went backwards at the start of this season. Goodbye Potter, hello, former Notts Forest and Spurs manager, Nuno Espirito Santo. It took him sometime to settle things down but he now seems to have the team going in the right direction. The fans like Nuno but there is a growing campaign against joint owner David Sullivan and chief executive Karen Brady. Many have never forgiven the duo for taking the club away from it's iconic ground at Upton Park. There has also been some bad recruitment. Spurs demise is difficult to fathom. Winners of the Europa League last season, the club seemed to take a leaf out of the West Ham book of mismanagement, then, getting rid of manager Ange Postecoglou. Enter, former Brentford manager Thomas Frank. Things seemed to go well to begin with but then results turned and Spurs have been in freefall since Christmas. Frank was sacked, and replaced with Igor Judge on an interim basis. His tenure though has been no better. He was sacked after 44 days in charge. All of the sides in the relegation scrap, bar Leeds, have had multiple managers this season. Notts Forest top the list with four (Espirito Santo started managing Notts Forest before moving to West Ham), Spurs next with three and West Ham two. So what will happen? Spurs have a better quality squad than West Ham but at time of writing the players don't seem to want to play for the club. West Ham have a good spirit amongst their squad but are overly reliant on two or three players. There is a basic lack of quality and inconsistency. The ideal of ofcourse would be that both survive, which is quite feasible. Indeed, it is that scenario, with Leeds or Notts Forest taking the final relegation place that I would favour. That though will depend on Spurs players coming together for the club and West Ham showing much more consistency - the next few games will be vital.

Grass roots movements are demanding action in areas like water and the natural environment

The recent Channel 4 drama Dirty Business exposed the scandal that is the privatised water industry. Literally thousands of gallons of sewage being poured into our waterways. The damage caused to humans and wildlife. The privatisation of water has been a disaster since it took place in 1989. People were sold the lie that privatisation would bring money and expertise into the sector. The reverse occurred, less money spent on infrastructure, so no reservoirs built, leaks not fixed and sewage pumping into the seas and rivers. Meanwhile, the companies paid out generous dividends to shareholders and piled up debt. It is difficult to see why people cannot see the futility of privatising public utilities. The privateers want one thing -profit. Privatisation offers a great opportunity to asset strip and operate monopolies on vital services. The pattern is well known: sell off assets (often property), the cost to consumers goes up and services gets worse. It has been seen with water, the railways and most recently Royal Mail, yet still this madness continues. Water needs to be renationalised with proper regulation. Dirty Business exposed the ineffectual nature of the Environment Agency, which seems to have an unhealthily close relationship with the water companies it is supposed to regulate. The good news is that people are fighting back and taking control. Dirty Business, features the Windrush Against Sewage Pollution and Surfers Against Sewage. There are many of these type of groups springing up across the country. Here, there is the River Roding Trust (RRT). The growth and influence of this group has been a wonder to behold. Wren members, who attended the recent AGM, will have heard Paul Powesland's inspirational account of how he got involved and fell in love with the river. RRT members take action on the river, monitoring sewage leaks, clearing rubbish and planting trees on the borders. One recent action saw members clear out and recover the Aldersbrook. What is for sure is that the Roding now has a strong group of guardians, looking out for its welfare. Thames Water and the Environment Agency will not be allowed to ignore their responsibilities anymore, on this stretch of water. The Wren Group ofcourse fulfill a similar role with Wanstead Park and the Flats. The Wrens do practical work alongside Epping Forest staff. They also have a significant voice in the management of the area. These type of groups proliferate in this area. So there is Friends of Wanstead Park and the Wanstead Community Gardeners all playing different roles. The growing concern of people about the environment has been reflected in the support for the Nature Emergency called by Redbridge Council in January. An inaugural meeting, attended by over 100 people, to get things moving, took place at In llford library last month (march). Expectancy levels are high. So, much is happening, a real grass roots movement, fired by direct action and demanding results is taking shape. It would be very silly for politicians and other decision makers to take these people for granted. They expect not simply to do voluntary work and get a pat on the head for their troubles. Taking these actions comes with a price which is a real voice in making decisions effecting our natural heritage. The time for talking has long past. People want action, starting with cleaning up our waterways and addressing the biodiversity crisis.Voters at the upcoming council elections will be looking to elect those genuinely committed to bringing about such change. The time for sitting on the fence has long since passed. Onward.

Leeds edge past West Ham on penalties to secure semi-final at Wembley - 2-2 (4-2 pens)

Leeds emerged eventual winners of this gripping FA cup quarter final, after a penalty shoot out at the London Stadium. Leeds began the game more brightly, with Noah Okafor drawing an early save out of home stopper Alphonse Areola, who pushed his shot round the post. West Ham then came close, when a Jarrod Bowen pull back was touched on by Taty Castellanos but keeper Lucas Perri pushed away. Perri then saved from Bowen, after he had been put in by the industrious Adama Traore. Leeds took the lead when James Austin set Okafor off down the right, his cross was collected by Ao Tanaka, who was allowed space to twist and fire home, via a deflection off the bar. Castellanos then saw his effort on the half volley go just over the bar. In the second half, Castellanos was unlucky to see his header come back off the post, from an Adama cross. All looked lost for West Ham, when the referee awarded a penalty, after a VAR intervention ruled that Maximilian Kilman had fouled the Leeds player in the box. Dominic Calvert Lewis converted the resulting penalty. Some of the unsympathetic home fans then booed Kilman for the rest of the game - hardly a way to install confidence. All seemed lost, as the game entered added time. But first, a Bowen shot came back of the post into the path of Mateus Fernandes, who fired home. Then, a Fernandes cross was prodded home by Axel Disasi. Extra time. West Ham dominated extra time, having two goals disallowed for offside. The first, when keeper Perri came out and headed on, only for Castellanos to slide home, was most perplexing. The offside came earlier in the play when Castellanos strayed inches offside. The second, a Bowen shot coming back off a post to be finished by Pablo. Again, offside. West Ham stopper Areola, then had to go off being replaced by rookie Finlay Herrick. He endured a debit of fire, facing the penalty shoot out. He saved the first but misses by Bowen and Pablo saw Leeds go through to a semi-final against Chelsea. West Ham were left to rue what might have been. West Ham head coach Nuno Espirito Santo felt his side showed great character under pressure. "We must now keep going," he said.

In the Print at Kings Head Theatre

This entertaining play covers the duration of the year long Wapping dispute, between 1986 and 1987, focusing on key players Brenda Dean, general secretary of the Society of Graphical and Allied Trades (SOGAT) and Rupert Murdoch. Dean played nicely by Claudia Jolly and Alan Cox as a surly Murdoch dominate proceedings, jousting over the issues at stake. Other characters come and go. So there is Russell Bentley as foul mouthed Sun editor Kelvin McKenzie and Alasdair Harvey as urbane Sunday Times Editor Andrew Neill. Writers, Robert Khan and Tom Salinsky, who previously wrote Gang of Three, nicely capture the conflictual relationship between Dean and Murdoch. So there is Murdoch, who wants change at any cost, seeing more profit for him as progress. Dean, on the other hand, is not opposed to change but wants it done more humanely. The difficulty of Dean's position is illustrated in a sub plot about the unions being able to use the News International equipment to produce a left of centre paper "between the Guardian and Morning Star." The Labour Party director of communication agrees. "Peter's (Mandelson) a man you can trust," says Murdoch, to much mirth in the audience. But Dean wants to produce the paper using the traditional print methods, only to be informed by the union lawyer Joan Harrison (Georgia Landers) that it would at best last a year. Dean probably receives a generous treatment in the play, given that her role was certainly not approved by all in the trade union movement. Some felt she sold out and were suspicious of her secret meetings with Murdoch. After the dispute, SOGAT merged with the National Graphical Association, with Dean losing out to Tony Dubbins in the election for leader. She stayed in the role for a year, then went to the Lords in 1992. The depiction of Murdoch is spot on, seeing himself as some sort of industrial evangelist for the newspaper industry. Winning and profit being all that matters, people have no value. This is nicely underlined by the sight of Murdoch destroying all around him. So his right hand fixer is sacked, while Andrew Neill is moved out of the Sunday Times. "Andrew Neill is someone you must kill with kindness. But make sure he is dead,"is one memorable line. Even Eric Hammond, general secretary of the Electrical Electronic Telecommunication & Plumbing union, who worked with Murdoch to undermine the other unions is described as "duplicitous" and so expendable. Overall, this is an enjoyable play, never going too deep into the detail of the dispute but managing to set it in the the wider context of struggle between organised labour and the Thatcher government. The cut and thrust between characters is lightened with witty dialogue and a little slapstick. Director, Josh Roche, keeps the 90 minute narrative (no interval) moving at a good pace. Well worth watching to get an insight on the past 1980s industrial struggles, including the mendacity that led Murdoch to dominate the media terrain of the next 40 years. Most enjoyable. * Till 3 May